The Tenderloins will make you
laugh
by: Alan
Bauer
Ten-der-loin, (n):
1. A tender cut of beef or pork loin.
2. A funny, funny word.
Go ahead and say "tenderloin" out loud a few times
(preferably when you’re alone, or people might stare at you
and then contact the authorities).
Yeah, the word sounds funny. So when you’re naming a comedy
troupe, why not call yourself the "Tenderloins"?
That’s what four guys from the Island and one from Florida
did. And now they’re an up-and-coming comedy act based in the
big city.
We caught up with James Murray, Joe Gatto, Michael Boccio,
Salvatore Vulcano (the guys from Farrell High School here on
the Island) and Gideon Horwitz (the Florida guy) at a
Manhattan rehearsal studio where they were practicing improv.
Practicing improv? Isn’t that like planning to be
spontaneous?
Not quite. Improv, despite the name, takes practice. Tricks
of the trade must be mastered.
Much like Joe Montana had to know where Jerry Rice was
going to be on a slant pattern, and much like Fred Astaire had
to anticipate Ginger Rogers’ every move, if you’re a
Tenderloin, you’ve got to know where the other Tenderloins are
at all times, what they’re doing, and what they’re going to do
next.
"Improv has a set of fundamental rules to follow," said
James. "What we do in rehearsal is practice those rules and
guidelines. It’s the fundamentals of good teamwork. And there
are certain games you can do to exercise those foundations of
good improv."
"We also get the chance to stop and analyze stuff we’ve
done," Joe added. "If it’s in a show and it happens, you keep
going."
"You want to get into the habit of making the best choice
every time," Gideon said.
The idea is to get the group thinking and acting as a unit,
to build trust and to be able to react instantly to the cues
of the other members of the troupe.
"It’s a concept called group mind," James explained. "Half
of what rehearsal is about is that you are performing together
so much that you all start to think along the same wavelength.
The whole group is acting as one mind. You trust each other so
much that you know that nobody can make a mistake because
you’re supporting each other."
"It’s like a safety net knowing that no matter what choice
you make, they’ll be there to back you up," Sal added. "One of
the tricks of the trade is you take what is said and add to
it."
"The end result is a fluid scene that a lot of audience
members think is scripted," Mike said.
Technically, and if you’re ever on "Jeopardy" and you
choose the "Comedy Stylings" category and Alex asks you about
comics who make things up on the fly, what the Tenderloins do
is called Chicago-style, long-form improvisation. The audience
will give them a suggestion and then, like a snowball rolling
downhill, the troupe does a half-hour routine, building on
that idea all along the way. The name comes from the famous,
Second City, where many, if not all, of the "Saturday Night
Live" players (the funny ones, anyway) started.
So far, the group has met with a good amount of success.
It’s making a name for itself in Manhattan where, recently,
James was downright giddy after being accosted by a service
station attendant. Well, not really accosted, but what other
word can you use when someone runs up to you out of nowhere
and calls you a Tenderloin?
And there are appearances at improv and sketch festivals
from coast to coast, short films and a variety of other
projects the group has embarked upon.
"Big things came out of appearances in San Francisco and
Miami," Joe said. "We had other performers we respect see us.
The feedback was phenomenal.
"We had the last show of the Miami festival, the midnight
show. Everybody was there to watch us and it was probably one
of our best shows ever."
So what’s next? As the man said, it’s all up, up and away.
Usually the group has a couple of shows a year on the
Island at CSI that include a film, some sketches and, of
course, improv.
The Tenderloins also are in the process of lining up a run
of shows in the city, something that can start and sustain
"buzz" in the entertainment community.
You can catch them Monday nights, June 9, 16, 23 and 30, at
7 p.m. at Rose's Turn, 55 Grove St. (near 7th Ave. South).
You can get tickets through the group’s website,
www.thetenderloins.com, or by calling (866) 239-5634.
There’s even hope that perhaps New York can play host to an
improv or sketch comedy festival in the future.
The secret to the group’s success? In sports – and now in
comedy – it’s called chemistry.
"I’ve seen a lot of troupes that get cast," James
explained. "They’re not friends first. There’s no real core to
what they stand for."
With the Tenderloins, the chemistry dates back 10 years or
so to the high school days. Gideon joined the group about two
and a half years ago.
"His humor is what we were missing," Joe said.
The other four, after all dabbling in comedy in high
school, went their separate ways during their college years
and now have come back together to form the successful troupe.
Day jobs? Publicist, actor, casting director, talent
manager and Sal, who now does this full-time, despite the 101
percent pay cut.
Oh, and the name Tenderloins? That came about after a
highly scientific study, immense marketing research and
numerous tests with with focus groups of their targeted
audience.
Nah.
"Tenderloins was the very first idea we had," James said.
"And after two months and hundreds of other names, we went
back to the very first one."
"The name comes from a list of words that Mike and I had
accumulated in high school that we thought were funny," Sal
said. "That’s what we did in high school. It’s grown to about
300 words now. I think the definition was words that I would
be a little bit embarrassed to say in front of a large group
of people."
We agree. Other than "rump roast," we consider "tenderloin"
to be among the funniest words pertaining to the meat
industry.
And with a little luck, the "Tenderloins" will be among the
funniest troupes on the comedy scene for years to come.